Who is leaving grisly rolls of stitched-together human skin at the scenes of mass suicides? Did the suicide victims consciously choose to die, or were they psychologically manipulated? Are the gang of glam-rock sociopaths that live in a run-down bowling alley responsible for the deaths, or are they simply a red herring? Ultimately, "Suicide Club" offers no easy answers. In between these vignettes of violence, "Suicide Club" continually keeps the audience off-balance and guessing right up until the end. It's an odd mix of the macabre and the cartoonish as the girls' bodies are shown being crushed under the train and giant waves of blood splash the gathered commuters. In the opening sequence of "Suicide Club," 54 schoolgirls line up on a train platform, holding hands, and collectively jump in front of a train. The film follows a group of police officers and a curious hacker who investigate a series of violent suicides that are somehow connected to a mysterious website full of colored circles.
"Suicide Club" is as bizarre and hard to pin down as it is disturbing, which is perhaps why it never reached the same heights of popularity as either of the aforementioned films.
#UNDISTURBED 2 FULL MOVIE MOVIE#
Shapiro's Charlie is an odd duck even at the best of times, and her tic, which is a clucking of her tongue, becomes the creepiest movie sound this side of the croaking ghost in "Ju-On: The Grudge." Alex Wolff and Milly Shapiro are wonderful as brother and sister. He'd rather hold on a wide shot and let the audience spot something creepy as hell in the background than have something jump at the lens with a big musical stinger. Instead, Aster wants to work his way under the viewer's skin. There are precious few jump scares on display. The whole movie is a descent into madness for her character as she's hit by tragedy after tragedy that culminates in one of the tensest finales of any modern horror film. Toni Collette stars as the matriarch of the house, whose family is targeted by some kind of occult force after the death of her mother. Familial trauma is a common thread in Aster's films, and holy smokes is it front-and-center in this story about the shattering of a family already on thin ice.
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